![]() An hour later, UK filmmaker Benjamin Chesterton, a frequent critic of the photography industry, retweeted the allegations. She claimed to be from Veles and declared “the whole project is a joke” because he had paid locals $50 to pose for his photos. Two weeks later, a Twitter account bearing the name Chloe Miskin tagged Bendiksen in a tweet accusing him of fraud. As his peers gazed at his work, Bendiksen watched from the bleachers with increasing discomfort. ![]() They came from The Book of Veles by Jonas Bendiksen, an award-winning documentary photographer who had traveled to North Macedonia, which had been home to a vibrant fake news industry during the 2016 US election. That night, the outdoor screen shimmered with images of people using laptops in Soviet-era apartments and a bear strolling past rundown industrial sites. ![]() The photographic elite gathered in Perpignan, France, on September 1 at the annual Visa Pour L’Image photojournalism festival. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |